| Working title | _____________________________ | Genre_____________________________ |
| Producer's |
_________________________, _______________________ | |
| Director |
_____________________________ | |
| Actors | ______________________, ________________, ________________ | |
| Budget | _____________________________ | |
| Distributor | _____________________________ | |
If you have a completed Entertainment package, please send it. Also fill out
the form and send to the address below. Please sign here that you have read and
agree to the online submission form. X_________________________________
Do not fill in the verified section. That section if for our people to review
and confirms that your information is correct, which helps protect our potential
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Genre: _____________________
Budget: $_______________
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Location: __________________________
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LOI's from Location company or persons and info on company, person or location
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Deal outline for investors.
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_____________________________________________________________________
_____________________________________________________________________
Full Outline.
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Distribution agreements.
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________________________________________________
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Credits
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_____________________________________________________________________
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_________________ E mail ___________________
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Cameos by, _________________________________________________
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.
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Cast, secondary actors new:
Bob Smith (Introducing) Taft-Hartley
qualified, Yes ___, No___
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pertinent info on hand.
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Pre-Production: _______ weeks
Production: __________ weeks
Post-Production: ______ weeks
Release - _______________ 2004
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obtaining funding or needed elements for your entertainment endevor. Attach copy or link of
letters that might assist us.
Enclude Logline and Synopsis
Logline
Sugar and Spice are the nicknames of Lucy and Nina, unlikely best friends. Lucy is singular and intense from a troubled working-class family. She is a uniquely talented artist but shrinks from committing to her genius. She poses at the Art Students League and takes numbers down from galleries that she never calls. Her friend Nina is a privileged Asian girl with a bigger-than-life personality, unabashedly climbing the corporate ladder starting from the bottom rung as an intern at a magazine firm. The two are inseparable and have shared every experience from the time they were both 13.
Lucy and Nina also both work at the Dollhouse, a downtown go-go club. As you learn the girltalk down in the dressing room, the Dollhouse is the easiest club to work at. The girls have no set schedule. They come in whenever they want and leave whenever they want. This club is the most down-to-earth, with the least amount of hustling and the least amount of harassment. Because of the low commitment of the club, the girls aren’t career strippers. They are single mothers like Summer, earning enough income on limited time. They are students like Christine, putting themselves through college. They are musicians and actresses like Terry and Rae, who are making money so they can pursue their career in the arts. They are girls like Lucy who are earning enough money to bide time while they discover what their life commitment is. The girls are like family and the regulars are an interesting array of characters. There’s Vinny who has a fetish for long legs, Earl, a black Coast Guard officer who spends a lot of time at the club waiting for high tide so he could sail back over to New Jersey where he lives and Frank, a sad sack lonely Joe.
The film begins on a regular night at the Dollhouse with the girls dishing downstairs about work and drinking upstairs with the guys. But Lucy discovers this is no ordinary night when she sees Nick sitting in the corner. Nick sang in a rock band and dated a friend of hers while she and Nina were in high school. Lucy dances for him and finds she is attracted to him. She is awkwardly embarrassed by it. Nick feels the attraction too. He blushes and tips her a $20 bill. Lucy is surprised. The last time Lucy knew Nick he was broke and on the streets. Nick has clearly moved up. He tells Lucy he owns a rock club and invites Lucy to come dancing with him. Lucy resists but eventually agrees.
The electricity between them leads to a hesitant romance. They are each a little surprised by the other. Nick has never met a girl who had the same outlook as Lucy. He is always amazed by her perception and a little disturbed by it. Lucy doesn’t know what to make of Nick’s largesse. His constant gift-giving, partymaking, wining and dining, along with his secrecy about his life, makes her uncomfortable. But she’s never had such a good time and the joy of their relationship finally makes her accept and embrace Nick for what he is. While Lucy is discovering fun for the first time in her life, for Nina fun has become something she is desperately trying to achieve. A destructive relationship with Mike, an up~and-coming political lawyer attached to City Hall, coupled with the patronizing attitude she receives at her magazine job, has left her feeling broken and unsure of herself. Consequently, she’s taking more and more drugs, making sarcastic jokes about Mike and her boss and partying more frantically than she ever has.
The circumstances of the two girls and the eventual life change they are both forced to face is echoed in a sub-story about Frank. He’s the sad sack lonely Joe at the Dollhouse, who is diagnosed with a terminal heart condition and told that he only has a few months left. After some intense soul searching, he decides to use up all his credit and live it up like he never did. He tips outrageously at the go-go club and gets a dancer, Kate, to go out with him. They go on a wild shopping spree and have dinner together in a fancy restaurant. She makes another appointment with him and finds him dead. Kate takes the money he has in his hands, pets his cat and walks out. The relationship of the two girls comes to a head when Nick ends up with both of them after a particularly dizzying night at his club. Lucy at first accepts but then feels hurt when Nick, who has been troubled by the intensity and seriousness of their relationship, drops her for her best friend. Nina is so caught up in her desperate attempts to forget her misery that she dismisses the pain that she is causing Lucy.
Lucy and Nina each make separate attempts to avoid the situation. Lucy has a half-hearted one-night stand with a painter from the Art Students League. Nina tries to work at New York Girls, a fancy table-dancing club but quits when a businessman forces himself on her in the VIP lounge. The two girls realize their friendship is the most important relationship in their lives. They try to make up but the union has been ruptured and is finally severed when Nina overdoses on drugs that were given to her by Nick. With Nina’s death, Lucy is forced to take action in her life. She enrolls in art classes and begins to take her work seriously. Nick is also forced to take a look at himself and he realizes that he made a grave mistake in giving up Lucy. Lucy, however, refuses to see him. When he finally confronts her at the Dollhouse, a month after Nina’s death, she tells him it is her last night dancing. He asks her to go away with him, but all she can say is that it’s time to move on and that his ultimate commitment shouldn’t be to her, but to himself.
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